“We’re not going to have children” is a statement that stirs emotions, often provoking disappointment, disapproval and incomprehension. It can also cause anxiety for those who have to say it, having chosen a different path from the one expected of them. Through the personal accounts of several couples and individuals, this documentary explores the growing phenomenon of choosing not to have children. They speak openly about the reasons behind their decision and their belief that fulfilment in life can take many forms. What price do they pay for their choice in a world where parenthood is deeply ingrained as an essential part of a “normal” life? How much should other people’s expectations and ideas shape our lives? The film raises questions about changing family structures in the 21st century, freedom of choice in modern society and the many ways to lead a fulfilling life.

Maia is a young woman living with functional neurological disorder who leads a full and inspiring life. “My life is full of challenges, but also full of love, joy and fulfilment. I have Jakob, Bailey and lots of friends. My disability doesn’t define me. I’m Maia, and I live my life to the fullest,” she says. Together with her assistance dog, whom she raised and trained herself, she encourages others to take an active approach to life. In her spare time, she educates her audience about her disability and assistance dogs. Her videos often highlight social barriers, sharing both the difficult and positive experiences of living with a disability. Marcel Petrov’s documentary reveals the strength, determination and independence with which Maia navigates everyday challenges, while also exploring the prejudices that people with disabilities continue to face.

A documentary exploring the drug problems facing schools today. What exactly counts as a drug, which substances can schoolchildren actually access, and why aren’t they banned? These questions unfold through the stories of promising graphic designer Denisa Holubová, who is trying to overcome her addiction, and Tereza Hodanová—known as Teri Blitzen—who recently spoke publicly about her own. Having overcome her addiction, Teri now seeks to help young people struggling with mental health issues. Together with Teri, can we find a way forward and understand why increasing numbers of young people are becoming addicted to drugs and experiencing mental health problems? Which drugs were, until recently, entirely legal in schools—and why?

The documentary offers a sensitive look at the everyday lives of people experiencing homelessness and challenges entrenched stereotypes that reduce homelessness to personal failure. Is it really true that “all it takes is willingness and hard work”? Do people end up living under bridges through their own fault? By bringing two worlds into direct confrontation—people experiencing homelessness and local government—the film reveals a fundamental gap between political rhetoric and the actual availability of social support. It explores the deeper causes of social exclusion and asks how systemic failings in housing, social policy and public policy contribute to it. Are political leaders addressing the heart of the problem? And do we realise how easy it is to fall through the cracks, and how difficult it is to find a way back? These uncomfortable questions challenge us to reconsider assumptions we often take for granted. The film opens an important debate about our collective responsibility and about who remains unable to access help, and why.

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Olga, a young and sensitive governess, comes to an impoverished aristocratic family full of ideals and determination to love the children entrusted to her. Lonely among people, she experiences the feeling of not belonging anywhere. Neither among the arrogant nobility nor among the servants. She experiences many situations that hurt and humiliate her, but at the same time teach her lessons for her future life.

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On the night it happened, Aleš Berka was celebrating his 50th birthday. A successful, mature man at the peak of his powers. Congratulations, gifts, a happy mistress, a healthy son. The fact that one of the guests had an accident at an intersection on his way home from the party was just a minor blemish on an otherwise perfect evening. The local underworld boss, Radek Máša, immediately called Aleš and asked him to cover up the accident, as always. The district police chief, Aleš Berka, promised to do so, as always. But in the morning, he learned that Marta, the girl who was driving the car, was lying in agony in the hospital and that she was the love of his son Ríša. Ríša believes unconditionally that his father, the district police chief, will do everything in his power to find and punish the culprit of the traffic accident who fled the scene...